Number  | 
  
Cut 
 | 
  
Type 
 | 
  
Visual Content 
 | 
  
Sound 
 | 
  
Lighting 
 | 
  
Time 
 | 
  
Location 
 | 
  
Actor’s and Props 
 | 
 
1 
 | 
  
 - 
 | 
  
Long shot 
 | 
  
Over the 
shoulder 
of the detective 
following 
the girl. Both walking 
 | 
  
Diegetic  
 | 
  
 Low key natural lighting of the streets 
 | 
  
2s 
 | 
  
Soho or bromley 
streets 
 | 
  
Morgan  
& Leo 
Pistol 
 | 
 
2 
 | 
  
Straight Cut 
 | 
  
Establishing shot 
 | 
  
Across the street of detective following the girl down the road 
 | 
  
Diegetic 
 | 
  
Low key natural lighting of the streets 
 | 
  
2s 
 | 
  
Soho or bromley streets 
 | 
  
Morgan & Leo 
Pistol 
 | 
 
3 
 | 
  
Straight Cut 
 | 
  
Close up 
(Static, no tracking) 
 | 
  
Face of the girl on the right of the screen whilst the detective is a
  figure in the background following her, both walking towards camera. 
 | 
  
Diegetic 
 | 
  
Low key natural lighting of the streets 
 | 
  
1.5s 
 | 
  
Soho or bromley streets 
 | 
  
Morgan & Leo 
Pistol 
 | 
 
4 
 | 
  
Straight Cut 
 | 
  
Long shot 
 | 
  
Similair to shot 2. The girl walks down an alleyway then the detective
  follows. 
 | 
  
Diegetic 
 | 
  
Low key natural lighting of the streets 
 | 
  
2s 
 | 
  
Soho or bromley streets 
 | 
  
Morgan & Leo 
Pistol 
 | 
 
5 
 | 
  
Straight Cut 
 | 
  
Long shot 
 | 
  
Camera is at the end of the alleyway, you see the detective catch up
  to the girl grab her and put her against a wall. 
 | 
  
Diegetic 
 | 
  
Low key natural lighting of the streets 
 | 
  
3s 
 | 
  
Alleyway 
 | 
  
Morgan & Leo 
Pistol 
 | 
 
6 
 | 
  
Straight Cut 
 | 
  
Close up 
 | 
  
Camera is side on to both the detective and the girl, the detective
  has her up against a wall with a gun to her face and dialogue insues. When
  she says “He’s everywhere” the detective looks up and to the right slowly.
  The camera is shaky showing the action. 
 | 
  
Diegetic 
 | 
  
Low key natural lighting of the streets 
 | 
  
4s 
 | 
  
Alleyway 
 | 
  
Morgan & Leo 
Pistol 
 | 
 
7 
 | 
  
Straight Cut 
 | 
  
Low angle shot 
 | 
  
You can see a video camera that looks like a CCTV camera mounted on a
  wall. 
 | 
  
Diegetic 
And dialogue sounds. 
 | 
  
Low key natural lighting of the streets 
 | 
  
1s 
 | 
  
Anywhere as you don’t see the full location, can only see the wall. 
 | 
  
Morgan & Leo 
Pistol 
 | 
 
8 
 | 
  
Straight Cut 
 | 
  
High angle
  shot 
 | 
  
You see what
  the camera would see, the detective holding the girl against the wall looking
  up at the camera. 
 | 
  
Diegetic 
 | 
  
Low key
  natural lighting of the streets 
 | 
  
1.5s 
 | 
  
Alleyway 
 | 
  
Morgan & Leo 
Pistol 
 | 
 
9 
 | 
  
Straight Cut 
 | 
  
Mid shot. 
Zooms out from a close shot of the monitor screen showing
  the shot above. 
 | 
  
You see the villain watching the shot above on a computer
  screen, he’s in a dark room. 
 | 
  
Diegetic, loud boom as you pan out 
 | 
  
Very dark lighting. Glow of the monitor screen. 
 | 
  
2s 
 | 
  
A computer room at school 
 | 
  
Joe 
Monitor, mouse, keyboard, chairs. All props will be on
  location already. 
 | 
 
10 
 | 
  
Straight Cut 
 | 
  
Close up 
 | 
  
Same as shot 6 but the detective lets the girl go and she
  drops back to the floor 
 | 
  
Diegetic 
 | 
  
Low key natural lighting of the streets 
 | 
  
1s 
 | 
  
Alleyway 
 | 
  
Morgan & Leo 
Pistol 
 | 
 
11 
 | 
  
Straight Cut 
 | 
  
Close up POV of girl 
 | 
  
You see the girl and she says “Last clue” and then leans
  in close to the camera as it cuts 
 | 
  
Diegetic 
 | 
  
Low key natural lighting of the streets 
 | 
  
1s 
 | 
  
Alleyway 
 | 
  
Morgan & Leo 
Pistol 
 | 
 
12 
 | 
  
Straight Cut 
 | 
  
Mid shot 
 | 
  
Side on shot as the girl leans towards the detective and
  whispers something in his ear. The detective then puts his gun in his pocket. 
 | 
  
Diegetic 
 | 
  
Low key natural lighting of the streets 
 | 
  
2.5s 
 | 
  
Alleyway 
 | 
  
Morgan & Leo 
Pistol 
 | 
 
13 
 | 
  
Straight cut 
 | 
  
Long shot 
 | 
  
The end of the alleyway, same position as shot 5 and the
  detective runs off from the girl to the other side of the alleyway. You see
  her start to smile. 
 | 
  
Diegetic 
 | 
  
Low key natural lighting of the streets 
 | 
  
2s 
 | 
  
Alleyway 
 | 
  
Morgan & Leo 
 | 
 
14 
 | 
  
Straight Cut 
 | 
  
Close up 
 | 
  
Close up of the girl you see her smile an evil smile then
  it cuts 
 | 
  
Diegetic sound and the music starts 
 | 
  
Low key natural lighting of the streets, possibly an above
  light to create interesting shadows. 
 | 
  
1s 
 | 
  
Alleyway 
 | 
  
Morgan 
 | 
 
15 
 | 
  
Straight Cut 
 | 
  
Mid shot 
 | 
  
The detective is running along the streets and the camera
  is following behind him. 
 | 
  
Music is playing 
 | 
  
Low key natural lighting of the streets 
 | 
  
2s 
 | 
  
Streets of bromley/ anywhere 
 | 
  
Leo 
 | 
 
16 
 | 
  
Straight Cut 
 | 
  
Mid shot 
Zooms in slowly 
 | 
  
You see the villain in the dark room, you only see the
  back of him and he’s typing. 
 | 
  
Music is playing 
 | 
  
Very dark lighting, glow of monitor 
 | 
  
2s 
 | 
  
Computer room at school 
 | 
  
Joe 
 | 
 
17 
 | 
  
Straight cut 
 | 
  
Long/mid shot 
 | 
  
You see the corner of a street and the detective runs
  around the corner and pass the camera 
 | 
  
Music is playing 
 | 
  
Low key natural lighting of the streets 
 | 
  
1s 
 | 
  
Streets of bromley/ anywhere 
 | 
  
Leo 
 | 
 
18 
 | 
  
Straight cut 
 | 
  
Mid shot still zooming in 
 | 
  
Continued from shot 16 
 | 
  
Music is playing 
 | 
  
Very dark lighting, glow of monitor 
 | 
  
1s 
 | 
  
Computer room at school 
 | 
  
Joe 
 | 
 
19 
 | 
  
Straight Cut 
 | 
  
POV 
 | 
  
Running down the streets 
 | 
  
Music is playing 
 | 
  
Low key natural lighting of the streets 
 | 
  
1s 
 | 
  
Streets of bromley/ 
anywhere 
 | 
  
None 
 | 
 
20 
 | 
  
Straight Cut 
 | 
  
Mid shot 
 | 
  
The detective runs up to a building slows down at the door
  then looks up 
 | 
  
Music is playing 
 | 
  
Low key natural lighting of the streets 
 | 
  
3s 
 | 
  
Streets of bromley/ london or anywhere 
 | 
  
Leo 
 | 
 
21 
 | 
  
Straight cut 
 | 
  
Close up/ 
establishing shot 
 | 
  
From the detective’s hips you see part of him and the
  building from a low angle shot, him looking up at it. 
 | 
  
Music is playing 
 | 
  
Low key natural lighting of the streets 
 | 
  
1s 
 | 
  
Streets of bromley/london 
 | 
  
Leo 
 | 
 
22 
 | 
  
Straight  
Cut 
 | 
  
Long shot  
 | 
  
You see the detective start to run again as he enters the
  building 
 | 
  
Music is playing 
 | 
  
Low key natural lighting of the streets 
 | 
  
1s 
 | 
  
Streets of bromley/london 
 | 
  
Leo 
 | 
 
23 
 | 
  
Straight cut 
 | 
  
Mid shot still zooming in 
 | 
  
Continued from shot 18 
 | 
  
Music is playing 
 | 
  
Very dark lighting, glow of monitor 
 | 
  
1s 
 | 
  
Computer room at school 
 | 
  
Joe 
 | 
 
24 
 | 
  
Straight cut 
 | 
  
Mid shot/ 
close up 
 | 
  
You see what the monitor was seeing, the villains face
  working at a computer, typing.  
 | 
  
Music is playing, one beat every now and then. 
 | 
  
Very dark lighting, glow of monitor 
 | 
  
1s 
 | 
  
Computer room at school 
 | 
  
Joe 
 | 
 
25 
 | 
  
Straight cut 
 | 
  
Mid shot/ 
Long shot 
 | 
  
You see through the doorway of the room the villain
  working at the desk and the detective is behind him. 
 | 
  
Music is playing 
same as above 
 | 
  
Very dark lighting, glow of monitor, can barely see two
  figures 
 | 
  
2s 
 | 
  
Computer room at school 
 | 
  
Joe & Leo 
 | 
 
26 
 | 
  
Straight cut 
 | 
  
Close up 
 | 
  
You see the villain continue typing on the desk as the
  detective raises his gun to the back of his head. 
 | 
  
Same as above music except building suspense up to a
  climax 
 | 
  
Very dark lighting, glow of monitor on villains face and
  just a figure in the background 
 | 
  
2s 
 | 
  
Computer room at school  
 | 
  
Joe & Leo 
 | 
 
27 
 | 
  
Straight cut 
 | 
  
POV close up 
 | 
  
You see the back of the villains head from the pov of the
  detective then the villain spins around before it cuts 
 | 
  
Same as above, nearer climax 
 | 
  
Very dark glow of monitor, possibly in need of filler
  lighting so you can see some things 
 | 
  
2s 
 | 
  
Computer room at school 
 | 
  
Joe & Leo 
 | 
 
28 
 | 
  
Straight cut 
 | 
  
Long shot 
 | 
  
You see the detective holding the gun up to the villain
  through the doorway 
 | 
  
almost at climax of music 
 | 
  
Very dark glow of monitor almost no light, see two
  figures. 
 | 
  
1s 
 | 
  
Computer room at school 
 | 
  
Joe & Leo 
 | 
 
29 
 | 
  
Straight cut 
 | 
  
Close up 
 | 
  
You see a close up of the detective, he tilts his head up
  so instead of seeing just the bottom of his face you see the whole thing,
  he’s smiling and he says “Game over”. 
 | 
  
Music climaxes before game over is heard 
 | 
  
Filler lights needed so you can see a shadow of his face
  until he tilts his head up 
 | 
  
3s 
 | 
  
Computer room at school 
 | 
  
Leo 
 | 
 
30 
 | 
  
Straight cut 
 | 
  
Long/mid 
shot 
 | 
  
Through the doorway again of the detective pulling the
  trigger on the villain 
 | 
  
Only diegetic sound and the sound of the gunshot 
 | 
  
Low key lighting glow of monitors but mainly figures 
 | 
  
2s 
 | 
  
Computer room at school 
 | 
  
Leo and Joe 
 | 
 
31 
 | 
  
Straight Cut 
 | 
  
- 
 | 
  
Blackout and introduction of title of the film 
 | 
  
One or two bass beats 
 | 
  
- 
 | 
  
2s 
 | 
  
- 
 | 
  
- 
 | 
 
32 
 | 
  
Straight Cut 
 | 
  
Mid shot 
 | 
  
Front on view of the girl walking along the street in the
  daytime 
 | 
  
Diegetic sound of busy streets 
 | 
  
Lots of light, very bright lighting during the day 
 | 
  
3s 
 | 
  
Streets of Bromley/ London 
 | 
  
Morgan 
Some type of bag 
 | 
 
33 
 | 
  
Straight Cut 
 | 
  
Establishing shot 
 | 
  
The girl walking the streets during the day on her way to
  a big building where she works. 
 | 
  
Diegetic sound of busy streets 
 | 
  
Lots of light, very bright lighting during the day 
 | 
  
2s 
 | 
  
Streets of Bromley / London 
 | 
  
Morgan 
Some type of bag 
 | 
 
34 
 | 
  
Straight Cut 
 | 
  
Mid shot 
 | 
  
The detective walking along similar looking streets also
  on his way to work 
 | 
  
Diegetic sound of busy streets 
 | 
  
Lots of light very bright lighting during the day 
 | 
  
2s 
 | 
  
Streets of Bromley/ London 
 | 
  
Leo 
Briefcase 
 | 
 
35 
 | 
  
Straight Cut 
 | 
  
Long shot 
 | 
  
The girl turning a corner of the streets, perhaps plugging
  in ipod headphones and turning on a music track that is then heard 
 | 
  
Diegetic sound then muffled diegetic when headphones go on
  and then the music track when it starts playing 
 | 
  
Lots of light very bright lighting during the day 
 | 
  
2s 
 | 
  
Streets of Bromley / London 
 | 
  
Morgan 
Ipod headphones 
Some type of bag 
 | 
 
36 
 | 
  
Straight Cut 
 | 
  
Mid shot 
 | 
  
Behind the girl walking along the streets with her music
  in, catching up on her so moving shot 
 | 
  
Music track 
 | 
  
Lots of light very bright during the day 
 | 
  
1s 
 | 
  
Streets of Bromley / London 
 | 
  
Morgan 
Ipod headphones 
Some type of bag 
 | 
 
37 
 | 
  
Straight Cut 
 | 
  
Mid shot 
 | 
  
 The girl walking up
  to a building perhaps tapping a pass against the door and then walking in. 
 | 
  
Music track 
 | 
  
Lots of light very bright during the day 
 | 
  
2s 
 | 
  
Streets of Bromley / London 
 | 
  
Morgan 
Ipod headphones 
Some type of bag 
 | 
 
38 
 | 
  
Straight Cut 
 | 
  
Mid shot 
 | 
  
Back off from the building where the girl went into of the
  detective watching her and taking a sip of coffee, putting the cup in the bin
  and then walking across the road towards the building 
 | 
  
Diegetic sound of the busy streets perhaps one or two bass
  beats 
 | 
  
Lots of light very bright during the day 
 | 
  
2s 
 | 
  
Streets of Bromley /  
London 
 | 
  
Leo & Morgan 
Briefcase 
Coffee Cup 
 | 
 
Monday, 12 November 2012
Shot List
Labels:
AS work
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